[{"img":"1604/12/4db882debd7c3864989e2314b519be54.jpg","width":600,"height":812,"content":"","text":""},{"img":"1604/12/cfbb47f449e638ef991f4796bbadf109.jpg","width":850,"height":1059,"content":"","text":""},{"img":"1604/12/3e79d10f23b438828477aad6bb92a650.jpg","width":850,"height":1075,"content":"","text":""},{"img":"1604/12/5e53c2a1a4383d1dbe1f4d48a5011944.jpg","width":800,"height":537,"content":"","text":""},{"img":"1604/12/01a5489e811132d1ad5ecd49be3302ad.jpg","width":600,"height":828,"content":"","text":""},{"img":"1604/12/2db012a9ee7439a6af179675306a7094.jpg","width":800,"height":610,"content":"","text":""},{"img":"1604/12/dca3386dfa823a908596881a94d7d66b.jpg","width":850,"height":606,"content":"","text":""},{"img":"1604/12/2dd6071b382f349facfcdf8e41ac6289.jpg","width":619,"height":900,"content":"","text":""},{"img":"1604/12/91dd8dd452bd39f6a806513374d7e088.jpg","width":600,"height":466,"content":"","text":""},{"img":"1604/12/e2e7ec445539335b99d8839c066e513d.jpg","width":668,"height":960,"content":"","text":""},{"img":"1604/12/d08d11517cc639578ab1051e1df12941.jpg","width":850,"height":478,"content":"","text":""},{"img":"1604/12/f80170f52a243485b5a251a9dc57d3e4.jpg","width":638,"height":449,"content":"","text":""},{"img":"1604/12/55f9fb67502e3b579e3c76e861f0b6c6.jpg","width":800,"height":553,"content":"","text":"他的艺术造诣具有过人之处,不止拍摄静态影像,还拍摄电影和绘画,其永不妥协的风格更增添了他的名人魅力。他导演的电影长片包括1966年的《Who Are You, Polly Magoo?》以及反美讽刺电影《Mr. Freedom》。 1956年Klein曾荣获法国纳达摄影奖。"},{"img":"1604/12/690f5139a75f3d84a26512b2e8e1c26b.jpg","width":600,"height":848,"content":"","text":""},{"img":"1604/12/bf679c098b5739b09723db768eb1e7ff.jpg","width":800,"height":562,"content":"","text":""},{"img":"1604/12/28f77625bb47364aaa85679ffd39737e.jpg","width":800,"height":573,"content":"","text":""},{"img":"1604/12/b597c3901b0f3480a946030aec087d16.jpg","width":800,"height":688,"content":"","text":""},{"img":"1604/12/11585f32a25937ac92ea61c4ea80103a.jpg","width":800,"height":515,"content":"","text":""},{"img":"1604/12/9a81fecbdfb13d21a0cd2f38752c4e50.jpg","width":800,"height":549,"content":"","text":""},{"img":"1604/12/0c19d0586fda36b984ecea25e8a64dca.jpg","width":800,"height":538,"content":"","text":""},{"img":"1604/12/18a58c53176731209d83dd7e83eead77.jpg","width":600,"height":888,"content":"","text":""},{"img":"1604/12/be60bb85dd7d3fcf86919237c8bd235c.jpg","width":600,"height":764,"content":"","text":""},{"img":"1604/12/4d5162bb4585372284cc38b7bcfe2cd3.jpg","width":739,"height":1000,"content":"","text":""},{"img":"1604/12/5a0806638fda3d868a48eeff3b121e09.jpg","width":850,"height":592,"content":"","text":""},{"img":"1604/12/97bd42f29c93373fb26deb64ba2c4e40.jpg","width":800,"height":1000,"content":"","text":""},{"img":"1604/12/51b3ea6e43b134ab9665407740a387ac.jpg","width":850,"height":1085,"content":"","text":""},{"img":"1604/12/12559a973d6a344d9d5604cbf7eb2eef.jpg","width":850,"height":577,"content":"","text":"Klein 对社会事件的拍摄一改优雅的主流观念,他更注重时代感而不是个人。 Klein 拍摄的照片没有精准的画面,却有着宽广的构图和自然的拍摄瞬间,是对逝去时间精彩的记录。他的照片使观看者确信,生命的意义就在于这些短暂的时刻中,可能是转头的瞬间,也可是抬起的手臂。照片的定义丢失,却带来了生动的形式,令人更接近混乱和困惑。"},{"img":"1604/12/a1d1f6b9294d3586ac0c1215f9af38d1.jpg","width":850,"height":608,"content":"","text":""},{"img":"1604/12/d03b2a66930d329b90d5c1b32d5a74f1.jpg","width":850,"height":553,"content":"","text":""},{"img":"1604/12/57953e8ff1f03f79906c21c30f785196.jpg","width":850,"height":632,"content":"","text":""},{"img":"1604/12/6713b55035333a05b9f58a2814d09af9.jpg","width":850,"height":566,"content":"","text":""},{"img":"1604/12/bf61328a8b1d33b2b8ac0fa3378f5039.jpg","width":850,"height":577,"content":"","text":"从生活跨界时尚,到底摄影的真谛是什么?它有一定的规矩吗?在 Klein 看来,“没有必要拨乱反正。混乱本身就是有趣的。”"},{"img":"1604/12/8b702f0974b83a5dbc92fe8c4d147116.jpg","width":850,"height":566,"content":"","text":""},{"img":"1604/12/8dc948803f3a398e9e7e86a9fd809acc.jpg","width":731,"height":1024,"content":"","text":""},{"img":"1604/12/47469ceb852839ec91e793a08a9f676d.jpg","width":600,"height":811,"content":"","text":""},{"img":"1604/12/17a32046865f3d4489bb49465757953a.jpg","width":850,"height":650,"content":"","text":""},{"img":"1604/12/805df9d93f953bf48760755777fe60a1.jpg","width":741,"height":900,"content":"","text":""},{"img":"1604/12/c27594a527593f68a0d199ecdff0f6f4.jpg","width":752,"height":1000,"content":"","text":""},{"img":"1604/12/c5e071d2f28c351c8aa1f81ef929b757.jpg","width":736,"height":986,"content":"","text":""},{"img":"1604/12/af6bdb7eecbf3ccc8e8ce28f21c55e40.jpg","width":736,"height":978,"content":"","text":""},{"img":"1604/12/22c55e2b250d3cf5ac131b4d10c79b6c.jpg","width":736,"height":1040,"content":"","text":"作为50-70年代摄影界逆向思维的代表, William总是一副无所谓的腔调同时一直探索极具个人色彩的摄影风格的态度。他本人极力反对以经典的眼光看待摄影,人为摄影是一件非常私人,自我的事情。当然,不可否认的是,他的诸多作品传承至现在已成为了经典。他总是喜欢用广角近距离的拍摄手法迎合他的拍摄主题。"},{"img":"1604/12/1172fe9efae0369ea0393868b0e429e8.jpg","width":850,"height":562,"content":"","text":""},{"img":"1604/12/182746bbe29834068bdbabb19e265451.jpg","width":850,"height":606,"content":"","text":""},{"img":"1604/12/8fe72df62daa38b09749482ae40be8e3.jpg","width":850,"height":1182,"content":"","text":""},{"img":"1604/12/a3f6515e350534fda5fabee444b5a28e.jpg","width":850,"height":552,"content":"","text":""},{"img":"1604/12/76ebc68c353b3077aa28395d7bde6416.jpg","width":850,"height":1116,"content":"","text":"William Klein曾出版过四本销路极差的影集——《纽约》 (1956)、《罗马》(1958)、《莫斯科》(1964)、《东京》(1965)。从书名就可 以知道克莱因所要表达的内容——都市人的生活景像。他的摄影自始 至终,就是街头的人生。"},{"img":"1604/12/319a2000efe237af867a902055baacaf.jpg","width":800,"height":535,"content":"","text":""},{"img":"1604/12/2897ca9da7c03b87bb6a0b4e8aab7521.jpg","width":850,"height":573,"content":"","text":""},{"img":"1604/12/d78fe2b35ebd3d44bb8a132cced0857a.jpg","width":689,"height":1033,"content":"","text":""},{"img":"1604/12/0505610c71623bd9b8f73de68d2378ea.jpg","width":689,"height":1033,"content":"","text":"
街头摄影从五十年代以来就成为影像表达的主流,摄影家们争相 的在人生的万花筒中,旋转出一个自己中意的图象来。克莱因的街头照片,能从尘封的遭遇,被重新认可是有其缘故的。他的表现手法,可以说是摄影史上最为特立独行的一位,是一种在精神恍炮下的视觉影 像,摄影者如同被别人催眠,而被摄者又如同被摄影者所催眠一般,大 家都在梦游,进行着复杂而意义不明的交往。 克莱因的街头众生相,有一股强烈的攻击性,仿佛他随时要在原本 宁静的人群中,制造暴动事件一样。他的这种表现手法,被布列松批评 为“整个都持错了。” “对”或“错”在克莱因来说是没有意义的,因为他在意的事,是要彻 头彻尾打破所有习以为常的摄影法规。"},{"img":"1604/12/584f3700dcef3cd4ad3c144b9ff523a7.jpg","width":850,"height":848,"content":"","text":""},{"img":"1604/12/2c2ed3c8f363325aa023be94b55c3c8d.jpg","width":850,"height":845,"content":"","text":""},{"img":"1604/12/5d66899fbf0a32279975f0ffdc096660.jpg","width":850,"height":847,"content":"","text":""},{"img":"1604/12/bf9c3a4511a23b12b5a08fee0f77101f.jpg","width":850,"height":843,"content":"","text":""}]
William Klein,1928年出生于美国纽约,Klein主要活跃在法国的电影和艺术界。他被认为是大师级人物之一,其反映城市生活的摄影集改变了人们对摄影方式的固有认识。
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Evelyn
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