[{"img":"1605/28/741b6bf8de5031d1825b2c114ba37618.jpg","width":919,"height":684,"content":"","text":""},{"img":"1605/28/17755435cb1f3a3986151c61ac5d2b39.jpg","width":919,"height":690,"content":"","text":""},{"img":"1605/28/202e69ef4c7030d6a6529f7988d40adb.jpg","width":920,"height":691,"content":"","text":""},{"img":"1605/28/14effa11e09a38098018d12225d0d579.jpg","width":920,"height":691,"content":"","text":""},{"img":"1605/28/e0990b81b2713f25882cc00fc05fc821.jpg","width":920,"height":691,"content":"","text":""},{"img":"1605/28/817dc434602031e195f5487c4b1b1835.jpg","width":920,"height":691,"content":"","text":"Alex Prager(亚历克斯·普拉格),美国女摄影师,79年生于洛杉矶,自学成为摄影师,她的画面就像是著名的电影大师希区柯克导演的电影瞬间凝固:你会感受到一种戏剧化的故事突然展开,你无法想象故事的开始或者结束,只是这样一个瞬间就足以让人想象。加上画面丰富的色彩,足以让人感到前所未有的诱惑力。
"},{"img":"1605/28/b5b84b7537d53cdba8f84315ab780956.jpg","width":920,"height":640,"content":"","text":""},{"img":"1605/28/df162fe648ee3ef2a981718ae8761193.jpg","width":919,"height":669,"content":"","text":""},{"img":"1605/28/3f59636d18f037a5b56a8658942dc524.jpg","width":920,"height":691,"content":"","text":""},{"img":"1605/28/a1856c7c0a4c30589195d47bf09ca768.jpg","width":919,"height":609,"content":"","text":""},{"img":"1605/28/35c911fc72a330acb502f963c5577b98.jpg","width":600,"height":636,"content":"","text":""},{"img":"1605/28/3ff662477d563d929a18c50ad98b7c51.jpg","width":698,"height":1024,"content":"","text":""},{"img":"1605/28/7dc614fcf27f375fbec44cbcd72d0b04.jpg","width":721,"height":716,"content":"","text":"充满故事情节的场景、主人公的情绪再加上丰富的色彩让这些照片非常耐人寻味,画面张力十足,引人不断遐想。
关于丰富的色彩,Alex Prager表示:在老电影中,人们会通过夸张的化妆、服饰和灯光效果来强化戏剧性冲突与张力。从视觉上说,没有任何东西是绝对“真实”的,所以你才会接受电影叙事中的任何东西。现在很多电影都力求还原真实生活,这就要求你对自己所表达的内容采取更为谨慎的态度。"},{"img":"1605/28/d04406d02f103d29b2affb16f6ee4f21.jpg","width":750,"height":394,"content":"","text":""},{"img":"1605/28/308425facaf1360b8aa3314b0d25cc87.jpg","width":750,"height":394,"content":"","text":""},{"img":"1605/28/67fbe98921e43a109120d892fb6f3ddf.jpg","width":692,"height":1000,"content":"","text":""},{"img":"1605/28/a19b81b048c23324ba03e3cd26e629d4.jpg","width":724,"height":1000,"content":"","text":""},{"img":"1605/28/8f7325167f5b3c4e9eb599dc0900eff6.jpg","width":800,"height":606,"content":"","text":""},{"img":"1605/28/1684a80b89ef356691d0ef52ef7143a6.jpg","width":800,"height":540,"content":"","text":""},{"img":"1605/28/d8c9bd0655143a9bbf886bf372d6419e.jpg","width":800,"height":618,"content":"","text":""},{"img":"1605/28/8a1155136bdc3e7baf1a50f29f63dd66.jpg","width":800,"height":565,"content":"","text":""},{"img":"1605/28/dc50c098213a33339a55c41a0456ee06.jpg","width":800,"height":608,"content":"","text":""},{"img":"1605/28/d988cf99ecba3871aa4bb34b1c2f227e.jpg","width":800,"height":588,"content":"","text":"“我喜欢明快的色彩和造型,这样一开始就营造出视觉上的美感。我的作品能表达我想说的一切。我照片中的角色身上有着典型而真实的人类情感。希望人们在看到我的作品时能联想到这些情感。”
"},{"img":"1605/28/6504af2bacc237a88e1b518ca07ced95.jpg","width":800,"height":720,"content":"","text":""},{"img":"1605/28/487e66dd3e073ea8a88b84ad00ca3e8a.jpg","width":800,"height":512,"content":"","text":""},{"img":"1605/28/345913b28d6a3934aa921c50c7846c5f.jpg","width":722,"height":1000,"content":"","text":""},{"img":"1605/28/6bca1684d3f03644bf0cbe8c4c7085f8.jpg","width":748,"height":1000,"content":"","text":""},{"img":"1605/28/ca41829477ce341c91703dabecb07760.jpg","width":800,"height":602,"content":"","text":""},{"img":"1605/28/02f7e0f7705434e9aaf5f777c0f8238a.jpg","width":800,"height":558,"content":"","text":""},{"img":"1605/28/137326abfbcf3906b65f7a5cc2b8776e.jpg","width":800,"height":633,"content":"","text":""},{"img":"1605/28/dfa472c93902352c80aa0d186e87f9ec.jpg","width":800,"height":660,"content":"","text":""},{"img":"1605/28/4f1fe092902432f3b4de7f9ed44d5498.jpg","width":800,"height":582,"content":"","text":"纽约现代艺术博物馆馆长 Roxana Marcoci 曾这样描述她的作品:“她的作品让我联想到无声电影,混杂着欲望和恐惧的情愫在不断酝酿,好像马上就要发生什么。
"},{"img":"1605/28/476c7abbb6b73999ab4e355a5a45a43b.jpg","width":800,"height":595,"content":"","text":""},{"img":"1605/28/f7d43c0dad19367cbb493ab115d8c2ee.jpg","width":800,"height":647,"content":"","text":""},{"img":"1605/28/f754684d56853c6ba40cb9bb59534881.jpg","width":800,"height":633,"content":"","text":""},{"img":"1605/28/2db371c0c84e3871b6e6072011418a1b.jpg","width":680,"height":332,"content":"","text":""},{"img":"1605/28/53a0146010e2377d91c37e0f0bcbb9d2.jpg","width":680,"height":451,"content":"","text":""},{"img":"1605/28/fa627db51a973d8697bd2d759ad2c287.jpg","width":680,"height":904,"content":"","text":"2012年,Alex Prager获得Foam Paul Huf奖。
"},{"img":"1605/28/639231e1823835ed810bcee32a5e4cca.jpg","width":680,"height":553,"content":"","text":""},{"img":"1605/28/62c1df5f37df3a6c9d4260ecc7598723.jpg","width":680,"height":666,"content":"","text":""},{"img":"1605/28/376c62b638da3289a694f70cfde1c12f.jpg","width":680,"height":513,"content":"","text":""}]
希区柯克,“悬念大师”,拍摄过大量脍炙人口的电影,其作品将悬念玩弄到极致。创作手法对电影人影响至今。
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