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日本摄影师增田伸也｜Shinya Masuda （1965年－今）的《花札装束》是对世上有形之物的最后致敬。
记忆没有具体的形态，我们需要有形之物来承载记忆，而世上一切有形之物无时无刻不在变化，并最终不复存在。
来自家乡的食物慢慢腐烂，增田犹如殮葬师为它们穿戴妥贴，修整容颜，并以他童年最喜爱的纸牌游戏花札为装饰灵感，拍下缤纷美丽的《花札装束》。
小至个人的记忆与乡愁，大至世间万物到最后也终将离去。
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