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今年3月去到边陲小镇腾冲，偶然间逛到他们的寺庙道观，仿佛进入了另一个空间。
土坯墙昭示着破败，黑色的砖瓦顶着蓝天，院内外的树儿迎着风招展，门外的石狮镇守这一方世界，也给人们带来福祉。
佛像和神像望眼欲穿的，是否是现在这个时代。但不管怎么说，他们带来的期望、祝福、甚至安慰，就在这里。门外是欲望，门里是禁欲，现在有多少人带着沉静跨过这道门。“有求必应”、“求则必灵”是一些场所的招牌。
但是在这小镇，有安详的寺庙和安静的居民，即使大家在寺庙热闹的聚餐，也像流水偶尔被风儿吹动。
这正是我寻找的，那和过去一样的景象。
不同于以前追溯的自然景象，加上孔庙，这些场所代表着儒释道三种传统文化的延续。
从此每到一个城市，乡间，我去到他们的宗教场所，看一看那过去的景象，感受当代文明对过去的改变，也看一看人与这样一个环境的交融，思索着百千年前他们会怎样。
不得不说，地区间的差异还是很大。
有的破败的场景似乎透露着传统文化的现状，然而夹缝中生存的力量也正是中华上下五千年未曾断流的部分原因。
有的则是金碧辉煌，但是另一种文化却难以找到，文化的和谐共处在当代也并非适用于这片大地的所有地区。
有的变成景点收取门票，人们趋之若鹜，比较的是门票是否便宜。
有的荒野生存，但干净整洁的案台何处惹尘埃。
......
赖伯威有记录台湾庙宇的项目《寄生之庙》，塔克跨越山川大河记录《福地》。
《寺·观·庵·阁·台·院·庙·宫》作为探寻文化与环境、历史与现状的项目也会带着思考继续。
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