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在日常摄影记录中积累了不少景观类的摄影作品，从最初也是最求“纯风光”的照片，拍摄久了发现风光摄影的圈子很虚伪，有时甚至有点令人作呕，经过了反复观察和考量以及理论知识的学习后，我开始将注意力转向了画面中的细节。经过了一定量的理论与实践的积累，我发现并不是只有绚丽多彩的颜色和绮丽美景才会吸引我的眼球，图片中许多细小杂碎的细节也是十分有趣的存在，正是以此为出发点，通过编排和筛选所拍摄过的照片形成了以“獨事”为题材的一组景观摄影作品。
在风景摄影漫长的演变中，从最初人们所追寻的“纯风景”摄影到富有理性思维的地形学摄影，再由发展进步了的新地形学摄影到表达个人情感的景观摄影。这一摄影史上漫长的演变似乎在中国这个思想和经济发展极不平衡的环境中并不适用，在中国这种特殊的摄影大环境下，传统风光摄影是否仍是主流，而赋予内涵意义的艺术摄影作品是否能被大众所认可，我在风景和思想的交集中发现了景观摄影这一条路径。所以我试图以景观摄影为基础的个人创作在探索景观和人文思想上的关系中做一点尝试和实验。
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