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在四川和云南的交界线上有一个湖,叫泸沽湖,泸沽湖周围有一圈儿村子,其中有一个村子叫“达祖”,达祖村里有一所公益小学,叫“达祖小学”,我有一个朋友在这里支教。
我在朋友圈里看他发了两年多关于达祖的东西,但始终没觉得有什么新鲜的,不就是山区么,不就是乡村么,民风淳朴,青山绿水,咱也不是没见过。但不知道为什么,我选我 “30 岁生日避难地”的时候没有选重回纽约,没有选我心爱的深圳和重庆,没有选我一直想去的德国和瑞士,没有选麥兜表哥一直想去的马尔代夫,偏偏选了达祖这么一个我完全没有感觉的地方。
当时的话茬儿是说要去找我朋友玩儿,事实当然也是这样,但 30 岁生日,总还是有点儿纪念意义的吧,即便是想去找他玩儿,其实什么时候都可以啊,为啥就非得那时候去?
我事后想,感觉这是个命运的节点。
我第一次从达祖回来的时候在朋友圈发了一首歌,左小和朱婧汐的《泸沽湖情歌》,里面有一句歌词:顺水漂来的啊,是木头,随风吹去的,是种子。我就是这样“误入”了达祖,原本是一根儿顺水漂来的死木头桩子,但没想到被泸沽湖水泡着泡着居然发了种子,接着又随风吹去到之后我落脚的每一个地方,吹向了我之后见到的每一个人。
因为工作原因,我这几年一直跑来跑去,途径的地方不能算少,但还没有哪个地方能像达祖这么留人。我也描述不清楚这到底是一种什么样的感觉,那里的山,那里的水,那里的鸡鸭鱼,那里的猪牛羊,那里的花花草草,那里的风声,还有空气里那种难以言说的味道,那里的吃喝,那里的日常,那里的人,那里人的孩子。
在 Julie & Julia 里,有这么一句台词,因为 Julia 一到法国就爱上那个地方了,所以她跟她老公在散步的时候突然特别傻乎乎地说:
“I feel that I AM French! I just…um, MUST BE!”
这就是我在达祖的感觉,我感觉我是个达祖人,我就是…怎么说呢,肯定是!哈哈哈!于是就有了这些照片儿。
其实我在达祖已经安逸到不再想举起相机了,所以拍摄都是很零散的,有冲动就拿起相机拍一拍,没冲动就让相机吃灰,但问题是,在这个人间天堂,我很少有冲动,只想整天地跟孩子们混在一起吃喝玩乐…另外,在这个人间天堂,相机其实也很难吃灰,因为没有灰。
我不是一个什么特别坚强的人,所以就爱把自己的很多情感寄托在别的地方,所以我会想,达祖好好儿的,我就能好好儿的…还有那些个孩子,我一直觉得我的心特别大,特别滥情,特别能爱这个爱那个的,所以我经常会感觉自己心里空荡荡的,但现在我有了他们,我破天荒地感觉到我的心好像都被填满了,甚至,好像都有点儿不够用了。
我在心里大体定下了达祖的这个计划,我可能会五年十年一直拍下去了,我也不知道之后会发生什么,但趁着现在还什么都没发生,趁着孩子们还没长大,趁着我也还年轻,就先这么拍下去吧。
评论 13 :
呂方俊
呂方俊
容啊容不是蓉啊蓉