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街灯的灰白的光线,散射在苍茫的夜色里,烘出了几处电杆和建筑物的黑影来。道旁尚有二三乘人力车停在那里,但是车夫好象已经睡着了,所以并没有什么动静。黄浦江中停着的船上,时有一声船板和货物相击的声音传来,和远远不知从何处来的汽车车轮声合在一处,更加形容得这初秋深夜的黄浦滩上的寂寞。在这沉默的夜色中,南京路口滩上忽然闪出了几个纤长的黑影来,他们好象是自家恐惧自家的脚步声的样子,走路走得很慢。他们的话声亦不很高,但是在这沉寂的空气中,他们的足音和话声,已经觉得很响了···
这是郁达夫在1922年作的《茫茫夜》开篇。“上海滩”这个对中国人来说无比熟悉的名词,我对上海的记忆正是构筑于这些影像、书籍、游戏之上。而今遵循着想象曾走过的路,伫立在那些遥远事件发生的同一地点,作为一个陌生人看着眼前这一片片建筑物。
记忆影像中的人穿过莫名之地来到这现实之中,相遇者的面孔如同眼前街道般熟悉。生、死、事件,轮回发生着。此时的上海滩、彼时上海滩,这景观究竟是否发生着改变?
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