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不满意的文字可以修改，空白的稿纸却是不可修改的。受“笔耕不辍”这个词语的激励，我将那台二十斤的电脑放入了行李箱，以督促自己每天的拍摄和编辑输出，希望以此强调对输入的渴望。
陌生、熟悉——在上海与故乡之间互相调换了个位置，家乡变得充满新奇，新奇感是身体对环境变化的正常反应。童年时家门口有一片果园，听说果园尽头就是条河，由于自小便被大人反复告知要远离河流，加上听闻的那些溺水的传言，我对水一直有着未名的恐惧，那里成了禁区，前往“远方”的想法也被消磨。现在我从远方归来，就站在这条河边，两侧全是枯黄的芦苇，岸边斜坡上也种着果树，一层薄薄的冰在河面上漂着，映着杨树的影子。这里距离童年的家门口只有30米。
观看在于确认，从确认中寻找解构和认知。新奇感从持久的观看中来。这30米的距离，需要长久的“笔耕不辍”才能走完。
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