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“要鹅不？要鹅不？100块钱随便挑…”
“蒜苔，好吃的蒜苔，10块钱一把，炒鸡蛋、炒肉，你都不知道有多好吃！好吃得很！”
把电动三轮车停到路边，地上铺层布，将自己的货物放上面，直白的吆喝。交易、广告、社会等等本质直接的展现出来。在乡村，物体的存在取决于其功能性，附加的意义或装饰价值在这里没人接受。抽掉三轮车的车厢挡板只保留发动机和车身框架以运输更多货物、砖头砌筑的支腿加上木板便是一张床、猪圈里温度较高便把鸡和羊放进去过冬（John Berger描述的欧洲农村里有把床建在猪圈上方）…这些杰出的创作没有想象参与。
农民的智慧从经验的总结和交流中得来，为了生存，他们需要处处观察、随时变通，从周边环境中获取加工材料，随时节变化而调整，由经验设计加工的物品坚实且粗砺，时刻证明着农民群体遵循传统、保留经验的同时随环境适应和改变的能力之强大。
这原始的阳光照射下的乡村处处有着某种本质的力量，我开始理解毕加索初遇加蓬芳族面具的震动。在消费主义刺激和娱乐时代的加持下，我们距离生活本身越来越远…
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