[{"img":"1704/26/2e73074946c5369cb1f6d7b7a306f12b.jpg","width":1200,"height":951,"content":"","text":""},{"img":"1704/26/29f23b5680a0335b88094680e48f600d.jpg","width":1125,"height":900,"content":"","text":""},{"img":"1704/26/f894c411415530489a5cad09e70bd2b2.jpg","width":800,"height":626,"content":"","text":""},{"img":"1704/26/3c9224b13d4a3c8fa8b43fb437e56c49.jpg","width":1125,"height":900,"content":"","text":""},{"img":"1704/26/0bfbcce106f6344d8903bfe757fd8b58.jpg","width":1200,"height":940,"content":"","text":""},{"img":"1704/26/e05fe7ff826a33cc9b61281d00b011bc.jpg","width":1200,"height":936,"content":"","text":""},{"img":"1704/26/9b101522b53533db95e441a44f3353d5.jpg","width":1155,"height":900,"content":"","text":"乔的彩色人物是其多年来对美国空间场景记叙的延续，是冷面肖像的先驱。安全的距离，强调客观的角度，无安排痕迹的各类路人，模糊的社会类型，刻意抵抗着看官们习惯从外貌衣着对人物性格的期待。最终，我们能够达成共识的是美国人身份的复杂多样性。

《陌生过客》十五年旅途中遇到的人。"},{"img":"1704/26/26df87fa5e173bbfbb40927586532707.jpg","width":715,"height":569,"content":"","text":""},{"img":"1704/26/20687922c56138e5989cc4d3bde32d1c.jpg","width":1200,"height":955,"content":"","text":""},{"img":"1704/26/d13e4b673c963c49b372855b815ba27f.jpg","width":1000,"height":786,"content":"","text":""},{"img":"1704/26/9374fc49863a358eab99b3c9f85b50a4.jpg","width":815,"height":1033,"content":"","text":""},{"img":"1704/26/4a429ea4185b317e89ce6b907890a797.jpg","width":900,"height":1129,"content":"","text":""},{"img":"1704/26/8cecc278ee1f3a99a80dfe6857625d33.jpg","width":610,"height":482,"content":"","text":""},{"img":"1704/26/d615805ead7b35af988c35a584dc6461.jpg","width":714,"height":564,"content":"","text":""},{"img":"1704/26/ee9e1ad41b5d3b0fb7eeddac85b55f71.jpg","width":769,"height":600,"content":"","text":""},{"img":"1704/26/e3055515ae0c377ea82fadf04533160d.jpg","width":900,"height":1126,"content":"","text":""}]