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继幻想的乌托邦浪漫后，这次稍加回归现实，我从不希望对外界展示的是极端的两面，浪漫不会是无根之水，压抑伤痛也不竟然是现实的代名词，只是尽可能寻找严肃背后的和谐，因为和谐之处往往充斥着灵性，然而这微妙的情感总是隐藏于喧嚣中独立于人群外，红色车光映射的脸庞，高架桥下遗弃的交通锥，城市中自惜羽毛的天鹅，好像太多的闪现警示着自己保持清醒，却又不忘让我学会用感性的眼光面对理性，所以这一次，逃离东京，但不会走得太远
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