[{"img":"2306/16/6ec54a16573c36f684ed5f56b55ca817.jpg","width":1500,"height":2000,"content":"","text":"晴

看到John Berger书中的精彩言论而想立刻分享的冲动必须要抑制。那个舞者在听到场下“快点跳吧！别磨叽”的呵斥后该有多无奈。
我们分坐两侧各自安静地阅读、互不干扰，除了正在被风吹动的白色纱帘，整个屋里再没有什么动的了。
——记于2021年8月22日12:08

寻着那个舞者在表演前的独白，正午出门坐地铁再到国际舞蹈中心。应是3年前，因疫情管制，时隔许久未曾登台的她来到实验剧场舞台，试图将自学舞蹈的经历、坎坷和当前舞者面临的困境全融到一场独舞中呈现出来。实际上在做自述的开始便被呵斥——大多观众要看的是那些通俗易懂且高难度的肢体动作展示，他们想要获得最直接的感官体验，对任何“私”的展示不感兴趣。隐匿在后排的我看到她瞬间僵立在舞台上的停滞，一个创作者不得不面对完全与自我期望相反的现实的停滞，这停滞在几年后更清晰起来。苦笑。

舞蹈中心并未开门，我仰视着倾斜的幕墙玻璃，拍下张置身空旷广场的自己照片后沿虹桥路向东到虹桥路地铁站，在出口右侧的石阶上坐着发了会呆，继续顺淮海西路向东，傍晚在淮海中路坐车返回。

晚上只花费一小时处理图片，洗漱后继续看书。
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