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35mm照片的再编辑，不是为追求视觉的变化，而是继续探究认知的边界，以达成“视线的崩坏、重组”。当然，认知源于观看，否定视觉愉悦的存在是不成立的——新视觉秩序带来的愉悦触发重复地观看，继而产生新的认知，这也是凝视。在再观看及编辑的过程中，“建筑街道”和“广告造像”承载着更多的对都市凝视的目光。
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